Glossary entry (derived from question below)
English term or phrase:
flexible colour stock
Dutch translation:
flexibele kleurenfilm
Added to glossary by
Antoinette Verburg
Aug 19, 2007 14:33
16 yrs ago
English term
flexible colour stock
English to Dutch
Art/Literary
Cinema, Film, TV, Drama
And in those days
we didn't have flexible colour stock. Uit een interview met filmmaker Ray Harryhausen, over hoe hij zijn eerste film in kleur maakte in 1958.
we didn't have flexible colour stock. Uit een interview met filmmaker Ray Harryhausen, over hoe hij zijn eerste film in kleur maakte in 1958.
Proposed translations
(Dutch)
3 +2 | flexibele kleurenfilm | Antoinette Verburg |
Change log
Aug 26, 2007 20:42: Antoinette Verburg Created KOG entry
Proposed translations
+2
2 hrs
Selected
flexibele kleurenfilm
'Film stock is the term for photographic film on which motion pictures are shot and reproduced.'
http://en.wikipedia.org/wiki/Film_stock
'film stock = onbelichte film' (Van Dale EN-NL).
Wat achtergrondinfo:
'Who isn't familiar with The 7th Voyage of Sinbad? It was Harryhausen's first Dynamation film in color, a commercial necessity which presented all kinds of technical problems. Harryhausen had just perfected the effects process in B&W in 20 Million Miles to Earth. But the few dupe and intermediate color film stocks available in 1958 required Ray to rethink all of his tricks in order to get a finished image with colors that could be timed to look normal. Except for the occasional conventional travelling matte shot Harryhausen did all of his movie magic in the camera through multiple exposures; he was lighting, animating, and compositing all in one go.'
http://www.dvdtalk.com/dvdsavant/s125sinbad.html
http://nl.wikipedia.org/wiki/Kleurenfilm
http://en.wikipedia.org/wiki/Film_stock
'film stock = onbelichte film' (Van Dale EN-NL).
Wat achtergrondinfo:
'Who isn't familiar with The 7th Voyage of Sinbad? It was Harryhausen's first Dynamation film in color, a commercial necessity which presented all kinds of technical problems. Harryhausen had just perfected the effects process in B&W in 20 Million Miles to Earth. But the few dupe and intermediate color film stocks available in 1958 required Ray to rethink all of his tricks in order to get a finished image with colors that could be timed to look normal. Except for the occasional conventional travelling matte shot Harryhausen did all of his movie magic in the camera through multiple exposures; he was lighting, animating, and compositing all in one go.'
http://www.dvdtalk.com/dvdsavant/s125sinbad.html
http://nl.wikipedia.org/wiki/Kleurenfilm
4 KudoZ points awarded for this answer.
Comment: "Hartelijk dank, Antoinette."
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